I go far out into places where human beings are small and insignificant to sense my place in them.
Shirl captures the light, the reflections, the shadows, the mood. Often, working plein air at dawn or dusk to experience the glorious but fleeting color harmonies, the constantly changing reality. She will drive for hours into Yellowstone in the dark to catch the spectacular color transformation of sunrise at a particular spot. It’s a sport to capture it on canvas before it is something different and the color is gone, or a cloud moves in to change everything, or the sun crests the mountain to shine bright on what was just a shadow, or the wind kicks up and blows the whole thing over.
Promising pieces go to the studio as studies and references for larger works. There they are tested. Then, if they pass, they are hung in the gallery to be shared and to show the initial spontaneous emotion of that outing. Shirl spends hours in nature capturing time, moments really. Time well spent to share with others and teach them of nature’s possibilities.